ewein2412: (osprey hair)
Letter from a teen reader, received 25 August 2016, posted here unedited (with the writer's permission).

Dear Elizabeth,

I'm writing simply because I just want to say how much your book has affected me. This is the first book written by you that I've read and, since receiving it as a Christmas present last year, I've read it nine times! No matter how many times I read it, though, a new element hits me and surprises me. I don't think I can remember the last time I could connect to a character as well as I have with Rosie or have read such a hard-hitting book telling about life in a concentration camp in such detail. Your book inspired me to conduct more research into these "rabbits" and ravensbrück to the point where I plan to give a presentation in the coming school term for my English speaking exam. The poems and use of them are incredible, I have learnt all of them off by heart! I particularly loved "like taut wings fly" and "kite flying". I used to be an avid reader but was forced to stop due to having such a full timetable but Rose under fire has rekindled my love of books and reading. Really, I just want to thank you for writing such an incredible book and imprinting the memories of the 150,000 women into my, and so many others' minds. This is not a book I will be letting go of any time soon. So again, thank you, from the bottom of my heart.
Yours.


ewein2412: (osprey hair)
Sometime last year, Sheila Averbuch and Louise Kelly, in their role as organizers for the Society of Children’s Book Writers and Illustrators (SCBWI) SE Scotland Network of the SCBWI British Isles Region, asked me to represent the SCBWI at an event at the Edinburgh International Book Festival (EIBF). I was flattered and pleased and of course I blithely accepted, with absolutely no idea of what I was getting myself into.

The event, chaired by Daniel Hahn, was premised on Anthony McGowan (author of The Knife that Killed Me, Hellbent, and Henry Tumour among others) saying controversial things about young adult literature and me responding in my role of ruling “middle-aged white woman who writes YA” – while waving a sheaf of oft-misquoted and under-interpreted statistics.

The floor was then opened to the opinions of a truly glittering array of YA and Middle Grade writers including Jenny Downham, Christopher Edge, Patrice Laurence, Annabel Pitcher, and Philip Womack (who gate-crashed the event but was a very welcome addition). This phenomenal crew was seated, rather unfortunately, in the front row with their backs to the audience rather than on the stage – however, the arrangement was set up to allow anyone who was participating in the Festival’s children’s programming to attend and participate (the five authors lined up there featured in other events as well).

So Anthony McGowan got up and ranted for ten minutes and I responded with a counter-rant, after which we had mini-rants from the other authors, and then the audience was allowed to throw in a few rants of their own. I don’t believe anything new and exciting was revealed, but everyone enjoyed ranting. Many teens were given a voice, which was wonderfully welcome, as they’re clearly the readers on the front lines here.

Here are some interpretations of the event:

Ann Giles (Bookwitch)

Sophie Cameron

Anthony McGowan’s own take

Barrington Stoke blog

Barrington Stoke’s blog entry… Well, gosh, I think it was me who said the “YA Debate” was getting old, which seems to be their sum total of my counter-rant! Of all the quotables to be picked up on. Their response “well we're still interested” feels like yet another misinterpretation. I didn’t mean YA isn’t worth talking about. Yes, yes, of COURSE we want to talk about it. But do we really need to continue to perpetuate these myths about it?

Let's BUST SOME OF THEM.

Myth 1): Most readers of YA are not teens.

I’ve written about this before.

That post is a bit outdated now, but people are still quoting numbers from the articles I’ve referenced in it, and other numbers such as the Publishers Weekly article referenced below. I cannot believe how often I hear people chirp “80 percent of people reading YA are not teens” when the statistic they are actually quoting is “80 percent of people buying YA are not teens.” You can draw your own conclusions by going to the source. (It doesn’t convince the MMR vaccine naysayers to go to the source, so if you’re convinced that more adults than teens read YA, no amount of arguing from me is going to change your mind.)

Publishers Weekly report on last year's Nielsen Summit

Bear in mind that most teens DON’T SPEND THEIR MONEY ON BOOKS. Ask a teen if you don’t believe me! They get books from the library, from educators, from parents, as gifts, and they do a LOT of borrowing from friends. I don’t hear anyone complaining that “100 percent of people buying board books are not babies.”

Basing your assumption of who reads YA on con attendance is simply and obviously erroneous. Most teens do not have the wherewithal to travel to London or wherever and stay in a hotel for three nights.

Also, WHO CARES if adults are reading YA? Really… who the heck CARES? I’ll read what I feel like reading.

Myth 2) YA is tripe, lacks depth and beauty, and always has a happy ending.

It’s lame, I guess, to counter every argument with your own books, but I do feel I have some modicum of legitimacy in responding with three words:

Code Name Verity.

“A part of me is broken off forever. A part of me lies buried in lace and roses on a river bank in France. A part of me will always be unflyable, stuck in the climb.”

Just… whatever.

Myth 3) (MYTH DU JOUR!) YA is stopping readers from moving on to adult [ie, worthwhile] fiction.

Yeah… whatever. Keep kicking the anthill, peeps.

Myth 4) YA has only been around for 20 years.

I actually spent quite of a bit of time researching this before the event, with the help of Jenny Kristine Thurman (@jennygadget on twitter), and can link you to some interesting articles tracing the history of YA from its origins 200 years ago to its acknowledged existence and value in the early 20th century:

“200 Years of Young Adult Library Services History” complied by VOYA (Voice of Youth Advocates)

A useful chronology of Young Adult Literature by Ernie Bond of Salisbury University.

“The Value of Young Adult Literature” by Michael Cart, a white paper issued by YALSA (the Young Adult division of the American Library Association), January 2008. Also contains useful historical context.

“What Does Young Adult Mean?” by Jen Doll in The Wire

“The Surprising, Short History of Young Adult Fiction” by N. Jamiyla Chisholm in Real Simple

“A Brief History of the Young Adult Services Division” by Carol Starr on the YALSA website

Yada yada yada.

---------------------

I think the reason I feel this so-called “debate” is getting old is because people just seem to be so. damn. eager. to ignore the facts, to skip the research that would back or disprove their arguments, or to read ANYTHING in the oeuvre other than the current bestselling titles.* So we have John Green held up or reviled as the single example of a literary luminary in the field. Sally Gardner’s name did not come up in our debate; nor did those of Francesca Lia Block, Cornelia Funke, Virginia Hamilton, W.E. Johns, Katherine Paterson, Gene Stratton Porter, Jason Reynolds, Marcus Sedgwick, Steve Sheinkin, Rosemary Sutcliff, Robert Westall, or Jacqueline Woodson, to name a few at random off the top of my head – over a century’s worth of male and female, black and white prolific authors of fabulously readable fiction and non-fiction and poetry, accessibly told with intelligence and elegance.

It’s an exciting time to be writing for young adults, that’s for sure. I guess that my ennui regarding the “debate” and my lack of ennui in the field is based on the incredible feedback I continue to get from teen readers. During the signing after the EIBF event, I was told twice by readers that “Code Name Verity is my favorite book of all time.” I’ve lost track of how many teens have told me this. Honestly, an author can get no higher praise or greater incentive to keep going – whatever the media says.

Incidentally, all my major breaks in children’s publishing came about through connections made because of the volunteer work I’ve done for the Society of Children’s Book Writers and Illustrators (SCBWI). If you’ve any intention of writing for children, I urge you to join.

SCBWI website

SCBWI British Isles website

*(This is where I feel the YA Debate resembles the MMR vaccine debate. Why are we still debating it? THERE IS NO DEBATE. YA is worth reading, is read and loved by teens, has been around for 200 years, and is not going anywhere. Get your kids vaccinated and give them a book and stop listening to the anthill-kickers.)
ewein2412: (verity text)
A friend of mine reports this morning:

"I had a dream last night that Rowling was setting the non-Harry Potter Potter-world novel during WWII, with one of the evil wizard's rise to power coinciding with Hitler's. And you were irate."

I AM IRATE JUST THINKING ABOUT IT!
ewein2412: (Arthur of the Britons--if looks could ki)
To further enlighten my previous post, rather than have this get lost in the comments, I can tell you here that this is a policy launched by UK RETAILERS (not a government scheme, so not something that can be deemed legal or illegal, I don't think). It is called Challenge 25 and was launched chiefly to combat underage alcohol sales. However, it is up to the retailers to decide (I think) what they'll put their red-and-black stickers on, and one of the ways they decide is by referring to lists drawn up by the local council authority. I think. [Red-and-]black-listed merchandise is also flashed up on the register at check-out with a huge red block that covers a third of the screen (I know this 'cause I saw it).

here is one of the lists of suspect goods from Kent

here is one from Angus

And there's a nice bright image of the classic "Challenge 25" iconography here. Alas, I can't find a picture of the cute little red-and-black stickers they've pasted on all the packets of knitting needles.

Needless to say, if you do a bit of googling and lurking on this subject, you quickly discover that I am not the only one ranting about it.

rant alert

Oct. 21st, 2009 09:00 am
ewein2412: (sheepskin)
sometimes britain scares me a little. All this in the last two weeks:

Here is the story of the mother who was not allowed to buy a bottle of wine in a supermarket (yes, that would be MORRISONS) because her 17-year-old daughter was shopping with her.

Here is the story of the man who was sentenced to 18 months in jail because he is an idiot (he gave his 3-year-old niece a cigarette and filmed it while all her cousins watched and laughed). While I appreciate that it is BAD to give a three-year-old a cigarette, there is something about this sentence that doesn't rest easily with me. (Did you know that the term "passive smoking" was coined in Nazi Germany?--I am not a smoker, but I am agog. Suddenly all the references to the "anti-smoking Gestapo" make a lot more sense. Hitler's anti-tobacco campaign was years ahead of its time.)

But what I *really* want to rant about is the fact that at our local big homewares outlet (yes, that would be DUNELM MILL) you are not allowed to buy KNITTING NEEDLES if you are under 25. Let's think about this. You could, for example, have been flying an F16 for 5 years in Iraq, but you are not allowed to KNIT in Perth. You could be a brain surgeon, but you are not allowed to knit in Perth. You could be John Keats and live your WHOLE LIFE without being allowed to knit in Perth.

I think I'll stop there.

Sara was the one who wanted the knitting needles, incidentally. After the Morrisons-mother-daughter-wine incident, she was very, very worried that we would be stopped at the checkout in Dunelm Mill and not allowed to buy our 8 mm knitting needles (the very fat ones that would be about as dangerous as a STICK off a bush in the garden, which we could have for free instead of £ 2.85). But I, cravenly, did not inform the cash register assistant that I was buying them for my 12-YEAR-OLD DAUGHTER. TO KNIT WITH.

and the cash register assistant did not ask me for ID.

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